Ernie Ball MVP Most Valuable Pedal

Product Information

My Review: I’ve long been an admirer of how Sonicake’s range of affordable effects pedals has earned them the trust of guitarists, bassists, and keyboardists across all genres and styles. My findings showed me that the VolWah is an exceptional volume pedal, and I was particularly impressed by its compactly-sized and ability to withstand the rigors of being a touring musician.

No. But they have a range of uses. And there are a number of interesting ways you can integrate them into your rig. Where do you put the volume pedal for swells?Who is this best suited for: If you’re looking for a min-sized volume pedal that is capable of withstanding consistently heavy usage, look no further than the Ernie Ball VP Jr. It’s an ideal choice for guitarists who are constantly on the road or rehearsing in the practice room.

My Review: When I think of Boss pedals, the first quality that springs to mind is durability. Their comprehensive range of stompbox effects is, in my experience, amongst the most solidly built on the market. I’d go as far as to say that attribute is one of the most important qualities when discussing volume pedals. If you’re looking for a volume pedal that can double as an expression pedal with no hassle, look no further. This user from reddit put it best: My Review: I was initially excited to try this Lehle device, and it didn’t disappoint. With a precise magnetic sensor, inner components of the highest quality, and a sleek design, it soon became clear to me that the Mono Volume by Lehle is one of the finest pedals for controlling dynamics. It can operate in a noise-free, reliable way due largely to the meticulous design of its circuitry. I learned that when designing the pedal, Lehle chose to utilize a method known as the Hall effect to get the most accurate results. Alternatively, I found that you can simply use the Helix to control the volume of your guitar. It soon became apparent that this device is built using high-quality components, which include an all-metal chassis and a non-slip rubber surface for maintaining complete control over the pedal’s position.The Ernie Ball VP Jr is great. It has been on my pedalboard for years and it has endured dozens of gigs without ever letting me down. However, spend a few minutes browsing online and you will notice that there are many other volume pedals with appealing features spanning a wide price range. The 500k Stereo Volume/Pan Pedal has a 500k ohm resistance suitable for the audio path of passive or active instruments. Attached to the footplate is a switch that provides the user two operating modes (volume or pan). Use the A input / A output for the left channel and the B input / B output for the right channel for stereo signals. The inclusion of two distinctive settings instantly raises the EX-1 above many of its competitors. It’s ideal for situations where you may be using multiple high-gain pedals, and need to keep the sharp increases in volume to a minimum. Ernie Ball specializes in an assortment of volume and effects pedals that let you control your tremolo, delay, and overdrive. We offer four distinct classes of volume pedals, the Most Valuable Pedal, vp junior, the Mono Volume Pedal, and Stereo Volume/Pan Pedal, and the all-new VPJR Tuner Pedal. My Review: After testing the Most Valuable Pedal by Ernie Ball, I can safely say that it is amongst the best volume and expression offerings available. With its stylish design, high-quality build materials, and exceptionally smooth operation, I found this pedal to be truly a joy to use.

There’s no harm in mixing up true bypass pedals with buffered pedals, so don’t worry if the particular volume pedal that you choose doesn’t line up with your other effects in that respect. Indeed, using a combination of these two pedal types is a safer bet than simply relying on one variety. If you do choose to mix the two, it’s best to start your signal path with a buffered pedal, as this will strengthen your instrument’s tone before it reaches the other pedals. Positioning a Volume Pedal in Your Signal Chain These pedals can be used for a variety of purposes, depending on where you choose to position them in your signal path. We’ll get into that in detail later in this guide. Some musicians choose to use multiple volume pedals interspersed at different points in their signal chain, as this allows them to control the individual dynamics or certain effects groups, such as distortion, modulation, or timing-based effects. We particularly like the viewpoint of the following user, who expressed frustration at spending money on Boss and Ernie Ball pedals, only to have them eventually malfunction: Rounding out the winners circle for our top 5 best volume pedals is the Dunlop DVP3 Volume (X) pedal. Along with Ernie Ball, Boss, and Morley, Dunlop gets lots of mentions and recommendations when it comes to the volume pedal game. The DVP3 is an evolution of Dunlop’s DVP1, and is truly a fantastic pedal. Owners seem to agree it does most things right, which is a big part of the reason it landed a spot on our list. It’s largely considered the biggest competitor to the Ernie Ball VP Jr., so we’ll mostly compare these two. Let’s dig in.My Review: Boss’ range of industrial-strength volume pedals continues with the low impedance FV-500L. Building upon the success of their FV-300 series, the manufacturer has improved the performance of the pedal by installing high-quality inner circuitry. The additional connectivity option was what I noticed at first, as this pedal was much more extensive compared to many others in the FV-300 series that I’d seen in the past. The 500k Stereo Volume Pedal features a 500k potentiometer suitable for the audio path of passive or active instruments. Attached to the footplate is a switch that provides the user two distinct operating modes (volume or pan). The stereo 500k pedal is extremely versatile and can be used in stereo or mono applications. Utilizing TRS stereo cables, use the B input and B output. For use as a typical pan pedal, switch the toe tap switch to the pan position and use only the A input. The pedal will pan the signal between the A and B outputs. 25k Stereo Volume Pedal Once you’ve used your volume pedal to record through an amplifier, there’s no way to “clean up” the signal. You are forced to work with whatever sound the amplifier produces, or re-record the take using an interface or mixer. For home-studio setups where it is perhaps not viable to use an amplifier due to space restrictions or limits on the noise you can make, interfaces provide the perfect solution.

Another standout feature is the inclusion of two useful knobs to alter the Ernie Ball MVP’s volume settings. The Minimum knob is just like the one from the Boss FV-500H, and is useful to control your signal’s minimum amplitude when the MVP is in the “heel down” position. Furthermore, you get a Gain knob, which controls a 20dB gain boost. This boost is a nice touch, as it’s always handy to have some gain on tap if you need it. Using these knobs in conjunction makes the MVP one of the most versatile volume pedals on the market. The standout quality of the FV-500H is versatility. It raises the bar of BOSS’ highly respected line of volume pedals, which is some achievement when you consider how good the previous FV300 range was. It’s also ideal for being used with high-impedance devices, which is a refreshing improvement.

Ernie Ball VPJR Tuner Volume Pedal

The Dunlop DVP4 is hands-down one of my favorite volume pedals currently available on the market. It manages to gather a lot of appealing features without being sold for an excessively high price. Its chassis is made of aluminum, keeping the overall weight low. I'd seriously suggest buying cheap with volume pedals, and then only upgrade if you feel like the cheap one is unusable. Otherwise you can waste a lot of time and effort and definitely money. Thing is a volume pedal doesn't have it's own "sound" so it's not like you need to spend a lot of money to get intelligent algorithms or high quality capacitors or whatever. It works just like any volume pedal should. The extensive connectivity options of the SPL-1-L6 make it worthy of consideration. Although it’s predominantly for use with the Helix amp, it has many different uses that make it suitable for a range of dynamic-based applications.